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“A Mystical Passover: A Transformational Passover Haggadah” Now available for purchase on Amazon.com at: http://www.amazon.com/Mystical-Passover-Transformational-Haggadah/dp/148198893X/

A MYSTICAL PASSOVER: A TRANSFORMATIONAL PASSOVER HAGGADAH offers a powerful trans-denominational psycho-spiritual approach to the Passover experience that includes individual and group psycho-spiritual exercises to help transform the holiday into a deeply mystical and magical experience for young and old alike.

A brand new 3rd Edition of my integrally-informed trans-denominational Passover Haggadah is now available in paperback for purchase online at: https://www.createspace.com/4128956.

A MYSTICAL PASSOVER: A TRANSFORMATIONAL PASSOVER HAGGADAH offers a powerful trans-denominational psycho-spiritual approach to the Passover experience that includes individual and group psycho-spiritual exercises to help transform the holiday into a deeply mystical and magical experience for young and old alike.

From the Introduction:

This Passover (Pesach) Haggadah represents a process of spiritual exegesis that I have employed as a vehicle for deepening and healing my relationship with Judaism, my religion of origin. This process consisted of a radical interpretation of the Passover rituals and prayers into a language and process that resonated with my own heart while also attempting to honor the heart of Judaism itself. Through this technique I have endeavored to heal old wounds and purge myself of the obstacles between the Divine and myself.

There are three basic levels of text interpretation in the Jewish tradition: Literal-Biblical, Theoretical-Talmudic, and Mystical-Kabbalistic (Fishbane, 1998; Kenton, 1980). Literal-Biblical text interpretation includes the historical, biblical and narrative levels of the material. Theoretical-Talmudic text interpretation consists of the extrapolation of the philosophical, ethical, moral and religious doctrines, laws and teachings that are woven into the fabric of the written material. Mystical-Kabbalistic text interpretation seeks to unearth the hidden and concealed metaphysical teachings buried in the text.

On the literal level of interpretation, Passover is a ritualistic retelling of the story of a historical biblical event, the Israelites’ exodus from bondage in Egypt. On the theoretical level, the story and rituals of Passover have many philosophical, ethical, moral and religious lessons to teach us about human behavior and the human endeavor to live according to the teachings of the religion of Judaism. Traditionally, the rituals of Passover, including the Passover Seder, tend to focus on these two levels of interpretation and understanding. In the Jewish mystical tradition, Passover can also be seen as a powerful vehicle for personal and communal psycho-spiritual development. From the Mystical-Kabbalistic perspective, the Passover story of a people being freed from the bondage of slavery is transformed into a road map for how an individual can be freed from the bondage of limited consciousness (Kenton, 1980); the land of Egypt becomes the realm of narrowness of body and mind, and Moses becomes the Higher Self being called upon by the Divine to free all the different voices of the psyche (the children of Israel, THE AWAKENING SELF) from the bondage of the ego (Pharaoh).

This mystical level of interpretation became my pathway through the metaphysical gates of these ancient and sacred rites of inner and outer freedom, and my attempt to integrate all three of these levels of interpretation, along with the interpretative constructs of the various denominations of the Judaic tradition, has lead me to the discovery of this powerful transformative psycho-spiritual Passover experience.

About the Author:

MARK ALLAN KAPLAN, PHD is a psycho-spiritual researcher, counselor, educator, and author focusing on integral, transpersonal, and transformative approaches to spiritual life and practice. His writings include “Prayers for the Awakening Self” and “The Experience of Divine Guidance,” and he is the founder of the Integral Judaism Project, a trans-denominational research initiative exploring integral and transformative approaches to Judaic theory and practice.

As an artist of many different mediums (film, drawing, text, photography) I can honestly say that on one level it feels like a miracle when a viewer understands my work in the way that I intended it. And there is often another miracle, when the viewer sees something in my work that I did not consciously intend, but when they speak their truth it rings true for me as well.

I have studied the language of my mediums and how each of their material elements communicate differently across cultures and societies; I have studied the psychology of how individuals perceive and view art; I have studied symbols, metaphors, and archetypes across cultures; and I have studied how different states and stages of development in the viewer and the work communicate with each other. I believe all of these are factors in how the artist communicates to the viewer.

Yet, there is also something else involved here; something I learned in the form of both direct experience and teachings from some of the masters of art I have studied with over the years…this something else is that the more a creative work comes from a deeply personal meaningful place in the artist, the more universal its meaning becomes. This is the great paradox of art and meaning; the more personal the work the more universal and the less personal the work the less universal. Actor and playwright Sam Sheppard said it beautifully when he spoke to my class at the AFI many years ago. He said that if an artist starts with a deeply human truth, one from their own experience or one from the life of another, then the work becomes universal because what is true for one human heart resonates with all other human hearts.

As a practitioner of art as an integral spiritual practice, I also see myself as a creative channel for the Divine. When I align myself with the Creative Source as the Divine Suchness, Thou and I AM, the Source speaks through me into the work and out to the viewer. From this perspective, in addition to my own personal meaning being expressed in and through the work, I believe there is a higher meaning being channeled through me and the work that I most often am not even conscious of. Sometimes I discover this meaning when a viewer shares what they received from the work; other times, years later, I discover this hidden meaning when viewing my work from a different place in my own life journey. In the end, each individual views the work from where they are at on their live journey and when a work of art is a channeled work; I believe it has the capacity to become a kind of magic mirror in which the viewer receives the message that is perfect for them at that particular moment on their life path.

From an Integral perspective, I would say that meaning in art is tetra-resonant, in that a work of art can have subjective, material, cultural, and/or social resonance. This resonance channels meaning between the work of art and the viewer, and one can gauge the general message of the art work through any and all of these resonance channels/dimensions. The more this meaning is rooted in a deep truth in any and all of these dimensions, the more universal the message becomes.

In the end, as an artist I never know for sure beforehand if my intended meaning will translate to others; I can only strive to speak the truth as I perceive and feel it and attempt to communicate it through as many resonance channels and dimensions as possible. I have found that I feel that I have communicated with the audience if I have touched them somehow, and I have come to feel that the reception of my intended meaning is not as important as the reception of the meaning that arises through the wondrous and miraculous process of channeling the creative force…

*Image: Enlightenment by Diana Calvario (dicalva)

Love in and of itself can never cause suffering.

All suffering related to what we think love is

arises from our projections and attachments to an object of attraction.

This is actually the opposite of love,

for love is a state of being in which we transcend the awareness of separate objects

and recognize our oneness with all that is;

a state devoid of projection and attachment

for there is nothing outside of us to project on or attach to.

In the wake of my father’s recent passing from this world of form, I have been reminded once again of the potential gifts of grief and loss, if one wholly surrenders into it. I first learned of these gifts several years ago with my mother’s passing. At that time I chose to honor her by following the Judaic rituals of loss which include a year-long process of prayers, rituals, and observances. I combined these with rituals and practices I had learned from my cross-cultural studies of grief and loss, and my training as a grief counselor.

What I discovered was that the grieving process can be a beautiful time filled with what Shakespeare called “sweet sorrow.” Yes, this time is often a time of tears and sadness, with moments of feeling a deep sense of loss and regret. Yes, surrendering into grief can often mean having to let go of a lot of the busyness of life and allowing oneself to be “out-of-control” in many ways. But I have also found the gifts of reflecting on the past through the lens of love and seeing blessings that I had not seen before. There is also the gift of experiencing times of deep present-moment awareness as I come to recognize the impermanence of my physical beingness and the world around me; The way the light sparkles through the trees, the feel of the morning breeze on my face, the smile of a friend, the song of a bird, all suddenly become powerful moments that fill my mind and heart with an in-the-moment overwhelming sense of grace and awe. In the specific circumstances of the loss of first my mother and now my father, my conscious honoring of their passing has also led to profound personal growth as my being entered the transformative well of the deep parental archetypes inside me. I feel truly blessed by all these gifts for in their light I can feel the love and lives of my loved ones living on within me.

Through these experiences of loss and grace I have come to embrace the spirit of Psalm 23, which is always read at Judaic funerals, by calling this time my walk through the valley of the shadow of the passing of my loved one…for though I walk through the valley of the shadow of death, loss and grief, my way is lighted by the love and grace of that Force that radiates out from beyond the thin veil of the world of form.

*Image: “Yea Though I Walk Through the Valley of the Shadow of Death I Will Fear No Evil” by Frank C. Pape

As a spiritual exercise I attempted to translate the Ten Commandments using an integral approach whereby I analyzed Biblical (religious/historical), Talmudic (moral/philosophical), and Kabbalistic (mystical/metaphysical) sources of the texts related to the commandments and then attempted to integrate them. In addition, I analyzed the original Hebrew, which has no tense, from 1^st, 2^nd, and 3^rd person tense/perspectives; and I also explored the multiple translations of each Hebrew word, since in Hebrew most words have multiple meanings. This word/meaning/tense analysis included exploring the multidimensional meanings of the text using Kabbalistic letter/number calculus.

I started this process by delving into the multidimensional meaning of the Hebrew word for commandment, mitzvah, which can be translated as: commandment; precept; duty; or blessing. The word mitzvah simultaneously recognizes both a sanctified action and the blessing that arises from that action; so when one performs a mitzvah, one receives the blessing that arises from it. But this goes even further; from the mystical perspective, every mitzvah raises up one of the sparks of Divine Light that has been separated from its Source and hidden within the fragments that make up the world of form; so that every mitzvah “repairs” the world and brings it closer to its return to the Divine Source. In Hebrew this process is called Tikkun Olam or “repairing the world.” The concept of mitzvah is also very close to the Buddhist concept of Dharma; in that these Holy actions not only bring blessings to the individual and the collective, but also on a deep level, they represent the natural and most true path of the individual whose true Self is considered one with its Divine Source.

With this multidimensional concept in mind, I went through each commandment using the above method of interpretation, and combined the process with deep meditation and contemplation. This is what I came up with…

The Ten Precepts:

1. Let me strive to recognize and honor the Unity within and beyond the diversity
2. Let me strive to recognize and honor that which is beyond form
3. Let me strive to recognize and honor that which cannot be named
4. Let me strive to take time for both doingness and beingness
5. Let me strive to honor the sacredness of all beings
6. Let me strive to honor the sacredness of all of life
7. Let me strive to honor my commitments to others
8. Let me strive to recognize and honor the boundaries of others
9. Let me strive to know and speak the truth within me
10. Let me strive to release all attachment and aversion.

There are three basic levels of text interpretation in the Judaic tradition: Literal/Biblical, Theoretical/Talmudic, and Mystical/Kabbalistic (Fishbane, 1998; Kenton, 1980). Literal/Biblical text interpretation includes the historical, biblical, and narrative levels of the material. Theoretical/Talmudic text interpretation consists of the extrapolation of the philosophical, ethical, moral, and religious doctrines, laws, and teachings that are woven into the fabric of the written material. Mystical/Kabbalistic text interpretation seeks to unearth the hidden and concealed metaphysical teachings buried in the text.

From an Integral perspective these three levels can be seen as correlated to the Big Three of 1st Person (I), 2nd Person (WE), and 3rd Person (IT) perspectives. The Literal/Biblical level of interpretation is the 3rd Person or IT level of the text; it is the surface structure; the directly observable aspects of the material. The Theoretical/Talmudic level of the text is the 2nd Person or WE level of the text; it is the communal meaning patterns just under the surface of the text; it is the blueprint for how we should treat each other, of what is right and good and just. The Mystical/Kabbalistic level is the 1st Person level of the text; it is level of secret teachings that guide us into a personal experience of the Divine. These three levels are The Good, The True, and The Beautiful, and when integrated together, they reveal a deeper and more expansive vision of the Word, the Logos.

Taking the story of Passover as an example… On the literal level of interpretation, Passover is a ritualistic retelling of the story of a historical biblical event, the Israelites’ exodus from bondage in Egypt. On the theoretical level, the story and rituals of Passover have many philosophical, ethical, moral, and religious lessons to teach us about human behavior and the human endeavor to live according to the teachings of the religion of Judaism. Traditionally, the rituals of Passover, including the Passover Seder, tend to focus on these two levels of interpretation and understanding.

On the Judaic mystical level of interpretation, Passover can also be seen as a powerful vehicle for personal and communal psycho-spiritual development. From the Mystical-Kabbalistic perspective, the Passover story of a people being freed from the bondage of slavery is transformed into a road map for how an individual can be freed from the bondage of limited consciousness (Kenton, 1980); the land of Egypt becomes the realm of narrowness of body and mind, and Moses becomes the Higher Self being called upon by the Divine to free all the different voices of the psyche (the children of Israel) from the bondage of the ego or the limited self (Pharaoh).

Several years ago I attempted to create my own Passover Haggadah or prayer book (Kaplan, 2003) that integrated all three levels of interpretation and discovered a deeper and more profound experience than I had ever encountered within the Judaic tradition. This was my first Integral Passover…in that I experienced Passover on a physical, communal, and psycho-spiritual level of being and becoming.

References

Fishbane, M. (1998). The Exegetical Imagination: On Jewish Thought and Theology. Cambridge, MA: Harvard University Press.

Kaplan, M. A. (2003). A mystical Passover: A transformational Passover haggadah. Pacific Grove, CA: Original Gravity.

Kenton, W. (1980). Kabbalah and Exodus. York Beach, ME: Samuel Weiser, Inc.

Image: Passover Shehechianu by Baruch Nachshon

I have been researching what I call transformative creation-states for several years now. By this I mean the use of spiritual, transpersonal, and integral approaches for creative expression to induce altered states of consciousness in order to intentionally convert the creative act into a deeply transformative experience for both the artist and the viewer.

During my research in this area I have discerned several discreet transformative creation-states including creative inspiration-states, catharsis-states, visioning-states, witnessing-states, resonance-states, integration-states, and states of creative grace. I also observed and experienced various group creation states including creative group fields and I-Thou creation states in which members of the creative environment become the “sacred other.”

In addition, during this inquiry I also found a confluence of both structure and flow in the transformative creative process, manifesting within, around, and between any and all of these various transformative creation states. There also appears to be a process in which these two state typologies converge, leading to a transformative creative synthesis of structure and flow.

For example, in my own creative work (film, writing, drawing, etc.), I have found that I can approach the transformative-creative act from a pure flow approach (mindfulness/beingness approach) or from a pure structure approach (e.g., applying sacred rituals and practices or esoteric spiritual structures like Kabbalistic Divine-creation patterns). When I really click into either one of these two creation-state typologies a synthesis appears to occur: The flow-process produces previously hidden structures, and the structure-process leads to a kind of structure-flow experience in which Divine energy appears to move through the structures and, if I am open to it, takes me into a flow through the structures along with it. These experiments have led me to play with a synthesis approach, consciously marrying flow and structure in a sacred-creative dance.

Looking at this triangulation pattern through the masculine/feminine typology lens, the flow-process can be correlated to the feminine, the structure-process correlated to the masculine, and the synthesis of the two can be seen as a union of the deep masculine and feminine.

A Mystical Passover,

Prayers for the Awakening Self,

Original Gravity,

and

The Experience of Divine Guidance

are now available as eBooks from the Google eBookstore.

My first inkling of an integral life came upon me when I was sitting at the bedside of my dying mother in the spring of 1993. Alzheimer’s and a severe stroke had taken their toll upon her and she could no longer see, speak, or move her body, except for small motions of her hands, head, and feet. As I sat by her side with various members of my family for several days, I had a profound mystical experience. All my years of studying many different spiritual traditions, mysteriously and automatically coalesced into a multi-tradition integrative practice of prayer, meditation, and presence that appeared to assist my mother and my whole family through the dying and grieving process, while also transforming my own heart and mind.

After this profoundly sorrowful and grace-filled experience, I began to see how each spiritual tradition I had studied had its own unique gifts and perspectives, which when put together created a more complete picture of my self, the world, and the Divine. This gave me my first real glimpse of what it means to live an Integral Life; a life that strives to engage in a wondrous evolutionary journey of ever-expanding and integrating fields of awareness, revealing higher, deeper and more expansive visions of self, others, and the world.